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Suburban Noize Records have been around since the mid-90s, catering to a very certain market of young hip hop, herb culture, and punk fans. We have a few items from them for review.
For starter, SubNoize Souljaz (myspace) is like the all-star supergroup, consisting of 15 or so Suburban Noize artists, including members of Kottonmouth King, Big B, and Jared Gomes (singer of Hed PE).
Their third album, Blast From The Past, just dropped late last August. While I am unfamiliar with some of these titles, I almost knew all the cover songs from hearing them on the radio. Except this album are all done in the style of that only Subnoize can deliver. With the variety of rappers and lead singers - the music is somewhat uneven, but at least the vocals stands out from each other. Particularly, I was impressed with Judge D's cover of LL's "Mama Said Knock You Out" and a funky The Dirtball's cover of RATM's "Microphone Fiend" (the bass is really good on this song) and Slick Rick's "Children's Story" by Daddy X.
It's evident that these guys owe a lot to influential bands that came before them (NWA, 2Pac, Snoop, Dre), so this album is a tribute to them. If you like old-school rap, particularly Death Row Records, as much as anyone that grew up in the 90s, you will definitely do yourself a favor and check out Blast From The Past.
 Tour Dates
11/15/09 El Corazon Seattle, WA
11/16/09 Satyricon Portland, OR 11/17/09 DNA Lounge SF, CA 11/18/09 Boardwalk Orangevale, CA 11/20/09 Starline Fresno, CA 11/21/09 Modesto Virtual Modesto, CA 11/22/09 Chain Reaction Anahiem, CA 11/23/09 Karma Victorville, CA 11/24/09 Roxy Los Angeles, CA |
Anyway, Brokencyde is a "crunk"-core band (apparently this genre is a fusion of hip hop and electro, and possibly other genres like punk and rock). The band embrace the brand, and even have a song called "Get Crunk!".
The album actually did chart on the Billboard 200 at #86, which kind of impressed me, considering that many of the artists I hear about, they never chart. I think the high debut might possibly be due to their presence on this year's US Warped Tour. However, despite the success, the album was critically condemned. My favorite is (name redacted) review from NME: "even if I caught Prince Harry and Gary Glitter adorned in Nazi regalia defecating through my grandmother’s letterbox I would still consider making them listen to this album too severe a punishment." Critics who hates them, I don't think they understand that the album was meant for them... certainly the album is not meant for me. I am curious what the band will sound like when they've matured a bit. Although, I will have to confess that I did smile a bit when I heard "pee pee" sung on "Sex Toys" and "let's get retarded" on "Rockstar".
They look and sound very young (hey, FYI, their singer is called Se7en), which makes their debut album I'm Not a Fan... But the Kids Like It even more-so ironic. I did feel that despite their youngness, that
Stronger songs on the album are: "Freaxxx" (with the catchy "let's get freaky" lyrics), and "Yellow Bus" (boasting about sex with groupies like Miley Cyrus??? WTF!).
If you don't mind the naughty messages, some autotune, some screamo, some electronica, check out I'm Not a Fan... But the Kids Like It at amazon.
 Tour Dates
11/13/09 Budweiser Event Center* CO
11/14/09 Mid America Center*, IA 11/15/09 Uptown Theater* Kansas City, MO 11/17/09 Val Air Ballroom Des Moines, IA 11/18/09 Aragon Ballroom* Chicago, IL 11/19/09 The Fillmore* Detroit, MI 11/26/09 Grove of Anaheim, CA * with 311 |
Their latest release is Hidden Stash 420, an epic 2-disc album. This is basically a collection of unreleased tracks, b-sides, remixes, demos. The packaging is also nice, it's a fold-out digipak. Hardcore fans will want to purchase the album directly from Subnoize Store or Best Buy stores, as that comes with a bonus DVD called The Lost Adventures of the Kottonmouth Kings.
While it's easy to just dismiss the band as pot smokers, that all their songs about weed, and although it's true, I believe they also deceptively paint a vivid picture of what their lifestyle is like. Check out tracks like "Take a Ride", as it describes California and family, all under a catchy chorus of "west coast is the place for me, never know what you'll see". But it's not all serious, there's a goofy song called "Late Night Call" with cultural reference of "me so horny", "facebook" and "myspace".
The collection is mostly older songs, and it's interesting to see some of their experiments. One song, "Tangerine Sky", seems like it's paying tribute to the Beatles LSD song "Lucy in the Sky with Diamonds". "Tangerine Sky" comes off as being more melodic and slower than most of their songs. The other non-conventional KMK is a poppy song "Let the Music Play". I wish I knew the story behind this song, but what I can tell you that it sounds very happy and 60s love. Perhaps Jackson Five?
Anyway, my favorites are usually the faster-constantly rapping songs with a loopy DJ backback, like "Evolution" and "Got It Get It". The later is a new Kingspade (a division of Kottonmouth King's rap duo, Johnny Richter and D-Loc) venture, which may be important for fans, as they haven't released anything under Kingspade in the last two years.
Hidden Stash 420 is out now. A perfect Christmas gift for any stoner in your family.
11/10/2009 18:05:38 ♥ vu (
) ♥ suburbannoizerecords.com ♥ suburbannoizejapan.com
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11/11/09 Phoenix Theatre* Toronto
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11/12/09 Metro* Chicago, IL 11/13/09 Gargoyle Club* St. Louis, MO 11/14/09 House of Blues* Dallas, TX 11/15/09 La Zona Rosa* Austin, TX 11/17/09 Rialto Theater* Tucson, AZ 11/18/09 House of Blues* San Diego, CA 11/19/09 Great American Music Hall* SF, CA 11/20/09 Great American Music Hall* SF, CA 11/21/09 Club Nokia* LA, CA with El Perro Del Mar |
 PB&J and El Perro del Mar ♥ photograph by Michelle |
But last night the VIP balcony was the place to be since it was the location of a historic fist bump between me and Andrew W.K.
I already knew he was set to make a cameo during PB&J’s set, along with a slew of others, but I did not expect our paths to cross. I don’t know what compelled me to lamely offer him my fist the moment I saw him, but all that matters is that he returned it and all was right in the world. Then he left, and I immediately texted my 13 year-old brother, who soon lapsed into an envy-induced coma.
Swede-fest ’09 continued with PB&J, who announced that this was their 10th anniversary tour. It was easy to distinguish who was who, as Peter was the one in the pink shirt, Bjorn was the one not in the pink shirt, and John was the drummer. It only got slightly confusing during the smorgasbord of cameos that took place throughout their set. Some made perfect sense (El Perro del Mar on “Young Folks,”), some not so much (an L.A. rap duo who remixed an unrecognizable song off of Living Thing). The final cameo was Spank Rock, who seemed like a solid addition to “Nothing to Worry About” but his appearance was much too brief and almost abrupt.
Obviously the most dramatic cameo of the night was Andrew W.K.’s “interpretive” dancing during “It Don’t Move Me.” He didn’t utter a single word the whole time, yet he left the audience virtually speechless. It was spastic and random but ultimately the best moment of the night.
As for the band themselves, they were in top form as usual. Since the last time I saw them in March, people have warmed up considerably towards their newer material and seemed to enjoy it equally as much as anything off Writer’s Block. The band eschewed slower stand-bys for faster, upbeat songs from their first two albums, and they ended the night with the infectious “Objects of My Affection.” I was kind of hoping they’d play the slow burning track, “Up Against the Wall,” but my friend told me not to be greedy. After all, one paradigm-shifting fist bump was good enough for one night.
PB&J ♥ photograph by Michelle
Peter ♥ photograph by Michelle
Andrew W.K. ♥ photograph by Michelle
PB&J ♥ photograph by Michelle
11/10/2009 02:13:56 ♥ kateg (
)
♥ peterbjornandjohn.com
♥ myspace.com/peterbjornandjohn
Before.
1.) “Mamamatay sya.” (He is going to die.) –a running coach
2.) “Only crazy people do that.” --Anonymous
3.) “He is just going to cause traffic.” --a running coach
4.) “Kahmown bro! You can do it!!!...Prove them wrong!” –from a fellow self-assurance* guy (Did I say Michael Paderes?)
5.) “Remember, the only voice who will tell you to stop is yourself, and you don't have to listen to it.” –Geraldine Santiago (the first fastest Filipina Ironman**)
6.) “It will be painful, but pain is temporary, quitting is forever.” –Geraldine Santiago
7.) “Let me run alongside with you during the last 10-15k, instead of me running in the other race tomorrow.” –Ver Guevara, former 4-time marathoner from church.
8.) “They say that the thing that’ll help you finish the last 10-15k is not brute strength or talent…it’s the heart.” –Ver Guevara.
9.) “That would be my ‘Ilokano’*** heart!” –Ferdie Cabiling
10.) “Why are you doing this (marathon)? –Judy Cabiling (a toughie question from a loving wife.)
*"self-assurance" of 'StrengthFinder 2.0'
**"Ironman" - the toughest official global Triathlon race.
***"Ilokano" - a 'tribe'; a people group in the northern province of the Philippines; which is, I think, the direct descendants of the Kenyans; that explains the skin color. Whatever happened to the 'running' genes? Lost in translation. Huh?
The Proust Questionnaire
Tiffany introduced it to me, via Jason via Anna. (And Sam begat William and William begat..)
I like these types of exercises, especially when I'm foggy and panicked generally unclear (as this Monday morning finds me). The Proust questionnaire is named for the French writer Marcel Proust, serving as the inspiration for more introspective interviews, an exercise in self exploration and a peak into the true motivations of the people providing the answers.
1. What is your idea of perfect happiness?
Emotional health and physical health, the ability to cover my expenses without any great anxiety, knowing without hesitation that I am loved, supported and valued by the people I love, support and value...and the freedom to create things with my own two hands.
2. What is your greatest fear?
That the things currently causing me grief, will never pass. That this, right now, is all there is to life.
3. What is the trait you most deplore in yourself?
My fear of inadequacy.
4. What is the trait you most deplore in others?
Cowardice.
5. Which living person do you most admire?
My aunt Elizabeth. She finds the growth in every challenge. She does amazing things but remains incredibly humble. She can hug you and reduce you to tears just from the love coming from her pores. She sees the best in you and never lets you deny that it is there. She finds joy and beauty in the things many take for granted. She's faced incredible adversity with the courage of a lion and never reduces herself to bitterness. She loves hard, thinks unselfishly, fights for what she believes in and...she's just a wonder.
6. What is your greatest extravagance?
Art supplies.
7. What is your current state of mind?
Afraid. Confused. Scattered. Isolated.
8. What do you consider the most overrated virtue?
Chastity. But only because of the other recognized virtues, it is the one least inclined to impede your ability to be a healthy, happy, productive individual. I know lots of people that ain't "chaste" but live life with fulfillment and purpose.
9. On what occasion do you lie?
When I'm afraid that the truth is going to really hurt someone with no positive consequence, self included.
10. What do you most dislike about your appearance?
My stomach.
11. Which living person do you most despise?
Well, there are a lot of people I don't like. The world is chock full of regrettable people. Though I find it more often to be a curse more than a blessing, I can sympathy or empathy for most. The living person I most despise right now might be Rush Limbaugh. He's dangerous and stirs unscrupulous passions for his own amusement. That sort of small minded deviance works on my ability to think kind thoughts.
12. What is the quality you most like in a man?
Integrity. Not just one's ability to speak truthfully, but to do so at the cost of your own comfort and ease. Someone that is willing to be seen for who they are. To stand in their truth and not the shadow of what they want others to believe they are.
13. What is the quality you most like in a woman?
Grace. The ability to consider feelings and actions with wisdom and well being and to act gracefully even when it might be difficult to do so.
14. Which words or phrases do you most overuse?
I can't.
15. What or who is the greatest love of your life?
My dog. I can always count on her to love me, tend to my wounded feelings and remind me that there's a being out here that will always give as much as or more than she takes. My childhood best friend, Jameel. Over thirty years and going strong. He's been the only one to always be there, to protect me on those occasions I couldn't protect myself and to keep all of my truest thoughts, fears and feelings safe and secure. He's probably the only person I've known that closely or long who has never snatched the rug out from under me.
16. When and where were you happiest?
The day I graduated from college and saw absolute blissful joy and delight on my father's face, knowing I had everything to do with it. A time long ago when I thought I was in love with someone just as in love with me. While everything else is in that story is but a work of fiction, that feeling I had was truer than most anything I've ever experienced. And I try to remain grateful for it.
17. Which talent would you most like to have?
The ability to read minds.
18. If you could change one thing about yourself, what would it be?
My tendency toward self-preoccupation.
19. What do you consider your greatest achievement?
I think that's yet to be discovered.
20. If you were to die and come back as a person or a thing, what would it be?
An eagle. (feathers, not helmets)
21. Where would you most like to live?
Sometimes I think New Mexico. Loads of pottery there, lots of ceramic inspiration, still away from the hustle and bustle of life in a city. Places I would spend a year or two? London. Toronto. New Zealand. Portugal.
22. What is your most treasured possession?
My laptop.
23. What do you regard as the lowest depth of misery?
A life with no other passion but material gain or personal recognition.
24. What is your favorite occupation?
Potter. Followed by writer.
25. What is your most marked characteristic?
I honestly don't know. I don't trust that I've ever had a clear lens for how others see/observe me.
26. What do you most value in your friends?
Their sincerity.
27. Who are your favorite writers?
Neil Gaiman, Octavia Butler, Pearl Cleage, Paulo Coehlo, C.S. Lewis, Anchee Min, Gabriel Garcia Marquez, Maya Angelou
28. Who is your hero of fiction?
Ellen Ripley from the Alien series.
29. Which historical figure do you most identify with?
I don't think I know enough about the inner workings of any historical figure to say who that person would be.
30. Who are your heroes in real life?
The people who are driven each and every day to the commitment of human services, community service and charitable efforts.
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11/10/09 Pike Room Pontiac, MI
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11/11/09 Horseshoe* Toronto, ON 11/12/09 Motore* Montreal, QC 11/13/09 Space* Portland, ME 11/15/09 Middle East* Cambridge, MA 11/16/09 Bell House Brooklyn, NY 11/17/09 First Unitarian* Phila, PA 11/18/09 9:30 Club* Washington, DC 11/19/09 UVA Chapel Charlottesville, VA 11/20/09 Grey Eagle* Asheville, NC 11/21/09 Earl* Atlanta, GA 11/23/09 Bottletree* Birmingham, AL 11/24/09 One Eyed Jacks NOrleans, LA 11/26/09 Walter’s* Houston, TX 11/27/09 Mohawk* Austin, TX 11/30/09 Modified Phoenix, AZ 12/01/09 Casbah San Diego, CA 12/02/09 Troubadour* Los Angeles, CA 12/04/09 Great American Music* SF, CA 12/11/09 "The Crocodile"* Seattle, WA 12/12/09 Mississippi Studios, OR with PGM |
+ abridged album review
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J Tillman ♥ Music Box |
Year in the Kingdom remembers a simpler era that Tillman was not alive to experience. Softer tracks cite 60s folk influences like Joni Mitchell, had Mitchell penned her songs in a humble log cabin, without basic comforts save for canned beans and a faithful canine companion. The sparse “Age of Man” is a few twangs/few stringed instruments short of Americana territory, while “Though I Have Wronged You” reminds us that Tillman isn’t seriously concerned by FF comparisons. At times matter-of-factly somber (“There is No Good in Me”), the album lulls its listeners into a false feeling of peace (albeit reflective, disquieting peace) that does not prepare the ears for the sheer force of Tillman’s live rocking.
Kingdom-the-album clashed awesomely with Friday night’s show at the Music Box Theatre in Minneapolis. I now have a physical point of reference for the expression “it blew my mind,” as I’m pretty sure I lost a piece of my skull when Tillman blew my mind. Similar to the structure of the studio tracks—gentle start, build-up, full instrumental progression—the show began as one would expect had they listened to Kingdom: Tillman + band = traditional 3-dimensional engagement. Then, maybe a third of the way into the set, all hell broke loose. Cue roar of full instrumental capacity, skin-tingling whine of amped slide guitar, psychedelic transformation, and crazy apeshit thrashing. On top of everything unholy, we, the audience, bore witness to grown men playing plastic recorders and finger cymbals. Surely I wasn’t the only one to lose some head mass by the end of the night.
Cerebral hemorrhage notwithstanding, strong tracks like “Though I Have Wronged You” sounded ridiculously swollen with intensity and deliberate flair. Not showy, per se; rather, phrenic but perverted by foggy invention. It was like walking into the Louvre for the first time—extraordinary but strangely unfocused, as if the senses were forced into overdrive. Had I lapped a taste of Tillman’s sweat*, the experience would’ve been complete. Unfortunately, there was no exchange of bodily fluids; there wasn’t even an encore (a mumbled “thanks” and the musicians made their hasty exit). It didn’t matter. How do you follow an act like yourself?
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J. Tillman is currently on tour in support of Year in the Kingdom. Upcoming shows include stops in Chicago and New York. For more information or to listen to select tracks, visit his Myspace at http://www.myspace.com/jtillman.
* I’m not a creeper, promise.
11/09/2009 03:26:24 ♥ lara (
/lara206.vox.com)
♥ weheartmusic.com ♥ myspace.com/jtillman
Werewolf vs Freddy ♥ Sheraton Hotel, Minneapolis (11/07/09)
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This year, the merchandise room was reduced to a size of a
large bedroom, so you walk in and out in about a minute. I did manage
to pick up some stuff, but they weren't cheap. Celebrities prints are
costs anywhere from $20-40, we weren't allowed to take pictures (if you
did purchase a print, then taking pictures would cost an extra $5).
Last year, most of the nicer stars let us take pictures for free.
As for merch, the usual bootlegs, toys, horror t-shirts were
there, but because of the smaller room - it feels like there weren't a
lot of choices. Some commonly seen t-shirts were Nightbreed and
Hellraiser, which I thought were cool, since I have always thought
Clive Barker is genius.
Also, this year they had music as part of the show. The person that was supposed to give me a pass to the music area was not at the ticketbooth and I didn't feel like paying extra to see music. Besides, all of the bands seems to be either punk or metal, not really my cup of tea, so I didn't bother to make much effort in getting the pass.
With the disappointing cancellation, incorrect/false information (is
updating a website too much to ask?), the smaller space, and
expensive admission ($30 at the door) - this will be the last year that
my group will attend. 11/08/2009 02:54:28 ♥ vu () ♥weheartmusic.com♥twitter.com/weheartmusic♥news.weheartmusic.com
And before I begin let me qualify my thoughts as I am a Cancerian and emotionally-driven person who cries when she's happy, cries when she's said and many times feels first and thinks second.
Don't make sensitivity a weapon.
I'm all for explaining to people that you may potentially be thin-skinned and making requests to consider your heart before entering into a potentially combustible dialogue. At all times we should take into consideration how our thoughts and expressions of them may make others feel. A defensive maneuver will almost always beget a defensive maneuver. It's the fundamental rule to conflict. You hit me, it hurts. I hit back, you hurt and the dance escalates until two people are saying or doing regrettable things. Rather than using your sensitivity as a license to kill, use it as a means to find more productive ways to speak with love. Rather than letting your sensitivity give you an unrealistic sense of entitlement and petulant expectation, try and commit to the notion that it always takes two parties to create a disagreeable relationship conflict. You are hurt...in some ways big or small, they are likely hurting, too.
Don't make sensitivity a wall to constructive criticism.
There comes a time in every adult's life when you have to suck it up and face tough talk. Especially when the tough talk potentially saves you from a choice, an action or measure that could have long-term or especially painful consequences. While I am sensitive, I expect and almost demand that the people I love, give it to me straight, particularly when I screw something up. Because I am human. I am going to do that. And yes, you can give straight talk without pulling out the clubs and knives. So keep in mind that sometimes when people speak sternly to you, it is more important to identify the value in their statement...especially when you know behind the annoyance that statement is coming from a place of love. It's nice to hear only about the wonderful things we do; but it's better to hear about the ways we can grow and elevate to keep amazing ourselves and others. Never use your 'sensitivity' as a means to avoid owning your stuff.
And you know how I feel about owning your stuff.
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11/08/09 Aquarium* Fargo, ND
11/09/09 Waiting Room* Omaha, NE 11/11/09 Brick Kansas City, MO 11/29/09 Oxford O2 Academy 3, UK 11/30/09 Relentless Garage London 12/01/09 Thekla Bristol, UK 12/02/09 Wedgewood Portsmouth, UK 12/03/09 Cabaret Voltaire Edinburgh 12/04/09 Bodega Nottingham, UK 12/05/09 Brickyard Carlisle, UK 12/06/09 King Tut’s Wah Wah Glasgow 12/07/09 Ruby Lounge Manchester, UK 12/08/09 Plug Sheffield, UK 12/09/09 Academy 2 Dublin, Ireland 12/10/09 Stiff Kitten Belfast, Ireland 12/12/09 Concorde 2 Brighton, UK 12/13/09 Barfly Cardiff, UK * with Bang Bang Eche Read More |
Opening up for Har Mar Superstar are three very different genre and acts. Starting with Koo Koo Kangeroo (official / myspace), whose music styling is that of hip hop - for toddlers. Their songs are dead simple, like "AOA" (sample lyrics: "aye oh aye oh aye") and "Cheh Cheh Chi" and "LMNOP", but they're catchy and easy to sing along. The highlight of their set was when they threw down a white tarp-like covering and the audience was dancing under it like a party fort.
Wow, Bang Bang Eche (myspace) are young. Someone told me that they're about 18 years old, but they certainly look much younger. Their music is very punk high-energy and reminds me a bit of Arctic Monkeys influenced. My easily favorite song from their set is "Fist Full of Dollars", perhaps a reference to Sergio Leone classic film? They ended their setlist with "Die Hippy Scum". Oh, also, it's worth noting that bassist T'Nealle sported a three keyboard cat moon t-shirt. Adorable.
The odd group on the bill was two-person group, Lookbook (myspace). The band is basically guitarist Grant Cutler, who plays guitars and handles the pre-recordings, with vocalist Maggie Morrison. Their music sounds like 80s pop, not exactly the "body-moving" type of music that you'd think Har Mar's audience would demand. Not really much to say, except I think Maggie looks really cute and I will be talking about them in further detail on my "book"-theme news on Sunday.
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Har Mar Superstar ♥ Varsity Theater, Minneapolis (11/06/09) |
After the first song, he took off his hat. After "DUI", he took off the overall to reveal a Prince "Purple Rain" shirt. He kept taking off articles of clothing as the night went on. From "EZ Pass", to "Girls Only", to "Creative Juices"... the audience was loving it all.
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Har Mar and Melinda Park singing "Powerline"
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The very last song, Har Mar sang an a cappella version of Boyz II Men's "It's So Hard To Say Goodbye To Yesterday". He would pretend the song ended and everyone would clap... only he would continue to sing the refrain. After the third false ending and after he said "goodnight", he came back and sang some more.
Har Mar's latest album is Dark Touches, available from Dilettante Recordings. Read Andrew's review of the album, pick up a copy at amazon
11/07/2009 04:22:06 ♥ vu ()
♥
harmarsuperstar.com
♥ myspace.com/harmarsuperstar
♥ twitter.com
11/07/09 Grog Shop Cleveland, OH
11/09/09 Horseshoe Tavern Toronto
11/10/09 IL Motore Montreal
11/11/09 TT Bears Cambridge, MA
11/12/09 Music Hall Brooklyn, NY
11/13/09 Kung Fu Necktie Phila, Pa
11/14/09 Rock Hotel Washington DC
11/16/09 Basement Nashville, Tn
11/17/09 Bottletree Birmingham, AL
11/18/09 Earl Atlanta, Ga
11/19/09 Social Orlando, FL
11/20/09 Cafe 11 St. Augustine, FL
11/22/09 One Eyed Jacks N Orleans, LA
Brazos (official / myspace)
warmed up the crowd around nine. What I liked about them is that they
have a lot of lyrics in their song. The highlight of their set is the
Adrienne Rich poem turned into song. I didn't recall the title, but I'm
sure it had "Africa" in the lyrics.
Brazos ♥ 400 Bar, Minneapolis (11/04/09)
Personally, I thought the best song on their setlist is "Feeding Frenzy", featuring these lyrics "We're interlocking, we're interlocking. It's a bitter conflict, this staring contest."
In contrast to the lyrics-thing, White Denim
are more like crazy pyschedelic, garagey, experimental rock 'n roll -
with minimal lyrics. Whatever singer James Petralli spouted out, it
didn't matter because you were so in awe of his amazing guitar-playing
ability. You can just tell the guy is a rock god, the way his fingers
frantically moved up and down the neck of the guitar.
White Denim ♥ 400 Bar, Minneapolis (11/04/09)
I reckon these Austin lads don't care so much to slow down or
stop, so all their songs are medleys - one song flow into the next, and
pretty soon about six songs have passed before they have to take a
breather.
If you like your music loud, loud, and loud, White Denim is the band for you. Be sure to bring earplugs.
White Denim's latest album is called Fits and is available now at their record label, Downtown Music, or amazon.
11/05/2009 22:52:12 ♥ vu () ♥ whitedenimmusic.com ♥ myspace.com/bopenglis
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The Grates Setlist ♥ 7th Street Entry, Minneapolis (11/03/09). Tour Dates
11/05/09 Radio Radio Indianapolis, IN
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11/07/09 Schubas Chicago, IL 11/08/09 Magic Stick Detroit, MI 11/14/09 Bowery Ballroom NY 12/31/09 Purple Sneakers Sydney |
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Patience in the Audience ♥ 7th Street Entry, Minneapolis (11/03/09) |
That's the kind of weird stories you hear from her, even on stage, they're referencing strange things like trying to hi-fi-ing the "fat guy with the beret" or asking if there were any vikings in the audience. But before I get to all those crazy details from the 7th Street Entry last night - opening up for them was Zoo Animal (official / myspace). I had seen singer Holly Newsom before, but as a soloist. This time, she's doing Zoo Animal songs, not just her solo material.
Holly made some jokes, like how 'grate' the Grates should be to noticing that They Might Be Giants were playing next door and how "we might be miniatures". Most of the audience that showed up early, I think showed up because of Zoo Animal and possibly Ice Palace.
Unfortunately, at the last minute, Ice Palace canceled (I am told the singer was sick), they were replaced by Story of the Sea (official / myspace). Bassist John admitted that they only had a five hours notice. Despite the feedback and false starts, I thought they held up pretty well all things considering.
I will say that they seem older, for the kind of crowd that was there last night. Their music sounds like classic progressive rock. I don't know any of their songs, but I did like the song that had something to do with eyes and being gone.
Other things I learned from Patience: if you eat enough of your hair, you'll have to take a pill to poop out the hair. Hence "hair butt". Fist-bumping, she tells us is called "boning". She likes to climb onto things, or jump into the audience and singing... while using a twirling baton. Fun to watch, but they also require audience interaction.
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If you are looking for a good time or see cuteness in action, check out Brisbane's export, The Grates touring through your area. They are quite approachable, so please have a friendly chat with them after the show. Their lastest album is called Teeth Lost, Hearts Won, which if you get it on vinyl, will come with a bonus CD. I might also suggest checking out their debut album, which four singles from that album made it onto Triple J Hottest 100. I'm sure Sally will keep us informed of the 2010's Hottest 100.
Bonus: Enjoy "Trampoline" from Til Death Do Us Party: Live At The Forum DVD
